Posts Tagged ‘media’

Cinemagram, an app for creating and sharing animated GIFs, adds 1 million users in six weeks

venerdì, aprile 27th, 2012

The animated GIF is one of the few native art forms on the web, a delightful micro-movie which has spawned countless memes. Cinemagram combines the stylish filters and simple sharing of Instagram with a app that allows users to turn short three-second videos into animated GIFs. In the six weeks since it was released as a free app on iOS, it has added more than one million users.

“We released it as a paid app back in February and tried to keep the community small while we worked out the kinks,” said co-founder and CEO Temo Chalasani. “We built a strong group of creative minds, figured out to flag inappropriate content, and since launching the free version in March, have just seen incredible growth.”

Chalasani is in Silicon Valley right now raising money — we hear a round in the million dollar range. Cinemagram was created by Factyle, an app studio where Chalasani and his co-founder work. Previously they created Smartr, a social news reader, which they have since folded to focus full-time on Cinemagram.

Tens of thousands of cinemagrams are created each day, and it’s quite a global audience. “Our biggest markets are the United States, China, and Brazil says Chalasani. “I think that speaks to what an intuitive and web native art form this is.”

Next up on the to do list is hiring, the company is currently just two people, and launching an Android version.

Here are a few more fun examples from the service:


Filed under: media, mobile, social


Viddy, the Instagram for video, raising $30M at a $300M+ valuation

venerdì, aprile 27th, 2012

"Viddy well, little brother. Viddy well." - Clockwork Orange - 1971

If Instagram is worth an eye-popping one billion dollars, who’s to say the fast growing Viddy, which lets users easily record videos, apply filters and share with friends, isn’t on the same rocket ship trajectory.

The company, founded in April 2011, has added nearly 10 million users in the last two months and brought on a boatload of celebrities as advisors and investors. Now reports are flying fast and furious that Viddy is raising a series B of $30 million at a valuation between $300-370 million.

Viddy is one of many apps that have recently seen a huge growth surge thanks to smart integration with the Facebook timeline. The company was coasting along at around five million monthly active users through Facebook until they relaunched their app. With the timeline integration, they more than doubled that number in the last two weeks.

It’s not clear that Viddy is a direct competitor to Facebook in the way that Instagram was. Photo sharing is Facebook’s big feature and mobile was the area it was most concerned about leading into its IPO.

User generated video, on the other hand, is a market that has never really produced a profit. Youtube, despite its enormous size, is increasingly focused on producing professional content in the hopes of turning a profit.


Filed under: deals, media, mobile


Google’s Project Glass snaps a photo of Charlie Rose mid-interview

giovedì, aprile 26th, 2012

The above picture shows us exactly what it’s like to be grilled by famed interviewer Charlie Rose. It was taken with Google’s Project Glass headset by Sebastian Thrun, the man spearheading Google’s next-gen innovations at Google X, during his interview with Rose on Wednesday.

The picture isn’t framed that well, and it’s not the best quality, but it shows us how Project Glass can instantly help us share experiences with friends. As you can see early in the interview, Thrun doesn’t even break conversation to take the picture: he simply taps a button on the headset, focuses on Rose, and shares it with his Google+ circles using a few simple head gestures. That’s certainly more fluid than whipping out your phone, unlocking it, loading a camera app, snapping a picture, and then sharing it to your friends (which may involve using several apps).

“The hope [with Project Glass] is to get things out of your life, not into your life,” Thrun told Rose.

But while it may be nice for taking pictures, Google apparently is still figuring out the best uses for the futuristic glasses. Thrun mentioned that he hasn’t really seen a compelling augmented reality use-case for Project Glass, and he went on to say that sharing is currently the most useful feature.

Unfortunately, Thrun didn’t divulge much else about Project Glass in the interview, but he did cover some of his other projects, like Google’s self-driving cars, and his education startup Udacity. If anything, it’s clear from the Rose interview that Thrun is a busy man, as every one of his projects is trying to disrupt established industries.

Via The Verge; Photo Sebastian Thrun/Google+


Filed under: media, mobile, VentureBeat


Why is Spotify developing Pandora-like-radio when it already has Pandora-like-radio?

giovedì, aprile 26th, 2012

I’m confused by this headline, which first appeared on Bloomberg, made its way to Techmeme, and was re-reported by folks like GigaOm:

Spotify Said Developing Pandora-Like Online Radio Service

It’s not just the odd syntax. It’s the fact that Spotify already has a Pandora-like radio service which works quite well that I used all the time.

Opening up my Spotify desktop client right now I can click on the radio app. It has a station from the Brazilian legend Jorge Ben, which plays similar music. I don’t need to be in the radio app to do this. If I’m playing any artist, a radio button appears at the top of my Spotify client right next to their bio.

I like Spotify radio better than Pandora because its catalog is way deeper. I find Pandora starts repeating songs after about an hour. With Spotify I don’t have that issue.

Spotify also has an awesome feature that shows you the decades in which a certain track or album was made. You can click on that decade link and it generates a Pandora style playlist pegged to that era. Heck, that’s a feature I wished Pandora would create for years.

Aha, but here’s the rub. Bloomberg reports that, “The new format would be similar to Pandora’s, which operates like radio and is cheaper to operate because royalty rates are lower and set by Congress. The new service would start by year-end and be supported by advertising.”

So Spotify would offer a radio only version of its service supported by ads to attract freemium users? Why would that be better bait to convert paid subscribers than their current ad supported service, which offers both radio and a la carte?

The only thing I can think here is that Spotify believes it could cut costs and attract users by offering a radio only version which falls under a different kind of licensing that boosts the bottom line. But wouldn’t most radio listeners be just as quick to switch to the freemium a la carte as the paid subscription, meaning more costs for Spotify, not less?

This is all making my head hurt. Time for some Fleetwood Mac radio on my Spotify.

UPDATE: Apparently one nice thing about a radio license only Spotify would be that you get to listen to artists like Metalica and The Beatles that aren’t currently licensed by Spotify.


Filed under: media, mobile


Movies from Universal Studios are now available on Apple’s iCloud service

lunedì, aprile 9th, 2012
universal studios sign 520x245 Movies from Universal Studios are now available on Apples iCloud service

Apple has taken a major step forward with its iCloud service, by adding content from Universal Studios to the list of movies and videos which users of the ‘iTunes in the cloud’ service can re-download after purchase.

The development, reported by MacRumors, is a significant one that leaves Twentieth Century Fox as the only other major US studio that is yet to allow users to download its content direct to devices.

The move comes a month after HBO said it was beginning to relax its strict control over its content, with a view to allowing other providers greater access. HBO pays millions of dollars to exclusively broadcast movies during certain ‘windows’ after they are released, and it had previously stopped studios from offering content to subscription and digital marketplaces.

As per the screenshots below, content from Universal Studios no longer has the iCloud disclaimer, which is still included with content from Fox.

universal studios Movies from Universal Studios are now available on Apples iCloud service

As part of the new iPad launch, Apple announced that it had opened its iCloud platform to allow customers to sync movie and TV show purchases between Apple devices. However, it was unable to reach an initial deal with Universal Pictures and Twentieth Century Fox due to HBO’s restrictions, meaning some studio content could not be synced between Apple devices.

HBO was said to be in talks to relax content for a number of its production houses and, with Warner Bros. and now Universal adding support to iCloud, it seems that a deal to include content from Fox will not be far away.

The introduction of Universal Studios gives users more options with content will help strengthen the appeal of its iCloud platform and the devices that it serves. Content on iTunes and other Apple services has traditionally been seen as closed by many, however iCloud is aimed at providing greater freedom and ease of users, particularly those that own multiple Apple devices.

Apple has been pushing its multimedia content catalogue, and movies in particular, but it is also rumored to be working towards its own subscription TV service. According to the most recent reports, a service could debut before Christmas, that’s in spite of initial reluctance from content providers, many of which are said to be put off by Apple’s “controlling” stance.

From Amazon to YouTube: This Week’s Media News in Review

lunedì, aprile 9th, 2012
amazon kindle 2 by madaise 520x245 From Amazon to YouTube: This Weeks Media News in Review

Let’s start our weekly media roundup with two shows that we look forward to watch. While much has been written on Steve Jobs’ upcoming biopic and its lead actor Ashton Kutcher, we are perhaps just as curious to discover the Angry Birds’ animation series, on which additional details were revealed during MIPTV.

However, we will still have to wait before any of them hit ours screens; in the meantime, here are the other media-related news that caught our attention over the last few days.

A busy week for YouTube

The least we can say is that it has been a paradoxical week for YouTube. On one hand, Google’s video platform announced a content deal with Paramount, which means it is now in business with five out of the six major Hollywood studios. On the other hand, we have learned that Viacom’s $1 billion lawsuit against YouTube is being resurrected.

As you may know, Viacom is the parent company behind Paramount. However, YouTube insists that what was once a wide dispute is now limited to “a tiny percentage of videos long ago removed from YouTube.”

“Nothing in this decision impacts the way YouTube is operating,” the company adds. As a matter of fact, it seems difficult to imagine what could stop a platform that has taken such an important place in our daily lives. Earlier this week, Read It Later revealed an interesting ‘secret’; besides articles, its users are increasingly saving videos they want to watch later. As you can see on this graph, YouTube is by far the leader when it comes to video saves through Read It Later’s app:

ReaditLater2 520x5201 From Amazon to YouTube: This Weeks Media News in Review

As for YouTube’s co-founders Chad Hurley and Steve Chen, they are now working on a new service called Zeen, which aims to lets users “discover and create beautiful magazines.” While we don’t have many details about the project at this stage, we will definitely ask Chad Hurley for additional information during his panel at The Next Web Conference 2012 later this month.

The Next Web has news too

Talking about The Next Web, we also had our fair share of news on our own this week. As you may have heard, Mark Zuckerberg’s sister Randi is producing a reality TV show about Silicon Valley for US network Bravo, and our very own Hermione Way is part of the cast.

If you have already subscribed to The Next Web iPad Magazine, you may also have noticed that we have launched a partnership with 22tracks, a music curation startup that will let us share a handpicked selection of DJ tracks.

tnwmagcover3 520x390 From Amazon to YouTube: This Weeks Media News in Review

As for the personalized magazine app Zite, it has announced a brand new publisher program. Following its launch, it will let a carefully selected list of media outlets deliver targeted news sections – and we are very excited about the fact that The Next Web is one of them.

Amazon thinks global

Besides magazines, tablets and e-readers are increasingly popular for book reading. According to a study by the Pew Research Center’s Internet & American Life Project, over 20% of American adults have read an e-book since last year.

Yet, it remains to be seen what this will mean for independent authors and publishers; a few days ago, Google announced the cancellation of its e-book reseller program for next year. More generally, not all authors are as lucky as JK Rowling, whose platform Pottermore sold over $1.5m worth of Harry Potter e-books in three days.

One thing is for sure, this trend clearly benefits Amazon, and its decision to lend e-books hasn’t had a negative impact on its sales. On the contrary, the company noticed that its Kindle Owners’ Lending Library now drives 229% more sales in backlist e-book titles.

As for its Kindle Store, it is also becoming more global; earlier this week, Amazon launched a Kindle Store targeted at Spanish speakers in the US.

amazon tienda 520x314 From Amazon to YouTube: This Weeks Media News in Review

If the Brazilian press is to be believed, the company is also working on plans to offer more books in Portuguese, although it remains to be seen whether it will launch before Apple’s iBookstore lands in Brazil.

On the video front, Amazon’s streaming services Instant Video and Prime are now available on the PS3 in the US, which will likely help them attract more users and subscribers. As for its European film streaming platform LoveFilm, it is expanding its programming in Germany, where it will offer video-on-demand content from the BBC.

The rise of second screens

While tablets are great for reading, they also make for a very popular second screen. As Nielsen pointed out a few days ago, a growing number of viewers are using their tablets while watching TV.

simultaneous tablet 520x383 From Amazon to YouTube: This Weeks Media News in Review

As a result, second screen content is also on the rise, and a growing number of players are getting involved. For instance, the French telecommunications company Orange is about to launch its entertainment check-in app TVCheck in the UK. As for Shazam, which was initially focused on music recognition, it is now broadening its scope to let users find and buy American Idol’s songs during live broadcast.

While it uses a different technology, which belongs to the UK startup WireWAX, the Canadian retailer SSENSE is hoping to fulfill the same need, by letting fashionistas shop directly from a music video:

“The integration we are introducing between technology, entertainment and retail with this video not only creates a unique experience for the audience, but also has utility. People often wonder what performers are wearing, where they can purchase that item – we have bridged that gap,” its CEO Rami Atallah said.

BSkyB on a new path

Finally, the phone hacking scandal keeps on giving in the UK, and has recently led Rupert Murdoch’s son James to step down as BSkyB chairman. As our editor Paul Sawers pointed out, this is actually good news for the company, which “is gearing up for what’s looking to be a monumental year” on the video front.

Yet, the scandal surrounding News Corp is far from over, and we will definitely follow the Leveson inquiry closely over the next few weeks.

22tracks brings expert music curation to The Next Web Magazine

domenica, aprile 8th, 2012
turntable 520x245 22tracks brings expert music curation to The Next Web Magazine

The latest issue of The Next Web iPad Magazine (it was released two days ago; if you’ve got an iPad – subscribe today!) sees the launch of a partnership with music startup 22tracks that will see us share five of the hottest tracks selected by DJs in its community each month.

22tracks focuses on expert music curation by well-known DJs. It’s a hit service in the Netherlands, is also active in Belgium, and has recently expanded to feature the UK too. 22 DJs from Amsterdam, Brussels and London, each specializing in a different genre – from afrobeat to grime and house to jazz – share their 22 favorite tracks for your listening pleasure.

The startup won both the Best Business To Consumer and Public Vote awards at The Next Web Conference 2010 Startup Rally, prompting us to take an in-depth look at its product and business model back then.

With our new partnership, each month five artists get selected, with a beautifully presented page, including a photo, a sprinkling of information for flavor, and of course the track itself. This month’s selection spans house, minimalist electronic music, soul and pop.

Being a music-loving bunch, we’re going to share the five tracks from our iPad Magazine here, too. Each track has been handpicked by the expert community of DJs involved in 22tracks.

Here’s this month’s selection:

1: Jessie Ware – Running (Disclosure Remix)

2: Burial & Four Tet – Nova

3: Robert Glasper Experiment – Afro Blue feat. Erykah Badu

4: Miike Snow – Paddling Out

5: Marvin Belton – Find A Way

The Next Web Magazine for iPad features articles you’ll love, beautifully presented, every month.

Everything you need to know about getting into digital comic books

sabato, aprile 7th, 2012

digital-Comics-pop-top

I have about 16 long boxes filled with comic books that are trapped with in plastic covered sleeves that haven’t been touched in well over five years now. Every time I move, I contemplate selling them off or donating them to an organization that wouldn’t just throw them away. I no longer even use the custom comic book boxes, nor do I protect them in shiny plastic with cardboard backings. I do, however, enjoy reading comics, which is why I’ve never been able to give them up. So, the thought of getting my comic books digitally was very appealing to me.

After talking to countless people who are unsure where to start, I’ve created a guide of sorts to help navigate through the new world of digital comics.

Devices you can read digital comics on

Spider_Island

If you have a computer with a web browser and a working Internet connection, you can read digital comics. However, it’s not the best experience since you’re facing the screen rather than looking down like you would with a traditional printed comic.

There are plenty of options available on smartphones running iOS and Android, but be warned that you’ll likely be reading panel-by-panel due to the smaller screen size.

The best tool for enjoying a digital comic is a tablet. The larger 10-inch tablets, like the iPad (starting at $399) and Motorola Xoom ($499), offer the best possible experience because their screens are comparable with the dimensions of a regular comic book (see side-by-side comparison photo above). This option is also the most costly, but if you’re serious about trading in dozens of heavy comic boxes for a single device, it’s a good investment.

A second tablet option is the 7-inch Android-based tablet, which is less than half the cost in most cases. The two that stand out the most are Amazon’s Kindle Fire ($199) and Barnes & Noble’s Nook Tablet ($199). The downside is that you’ll have to do far more pinching and zooming to read the text within the word balloons.

Where to buy digital comics

Digital-comics-apps

It is a good idea to try all of the possible platforms out before unloading a lot of cash, because if you decide to switch to a new service, you typically won’t be able to take all your purchases with you.

Direct from the publisher
The most visible choice for buying digital comics is by going through the publishers, which have their own set of online stores via official websites or mobile apps for both Android and iOS. Unlike music and movies, when you buy a comic in this way, you’re often times only buying access to that media. It exists in the cloud.

To go this route, you’ll need to sign up for an account for each publisher, then pay for the product. In most cases, you’ll have access to all your purchases from a particular publisher in all of their official platforms/apps. For instance, if you buy Spider-Man issue #489 in the iPhone, you should be able to read it on the iPad later, provided you sign in with the same account.

If you want to collect all the digital comic book purchases you’ve made from multiple publishers (DC, Dark Horse, etc.) into a single location, your options are quite limited.

Comixology and other Comic Book specific platforms
DC Comics ComixologyOne option for reading all your comics in a single place is Comixology, which has the widest selection of titles from the majority of the industry’s big publishers. It’s also the only place that offers both DC and Marvel comics in the same store. If you’re serious about making the transition to consuming comics digitally, you definitely need to check out Comixology before anything else, if only for the sheer variety of content available.

You can purchase comics from Comixology through its web store as well as its official applications for iOS and Android. Like with the official publishers apps, the books can’t be transferred off the device and will primarily exist only in officially supported Comixology platforms.

If you’ve only ever casually browsed digital comic book apps over the past year or so, chances are good that you’ve used Comixology’s store. The company is responsible for powering many of the most popular comic book publishers’ iOS digital storefronts, including DC Comics, Marvel, Top Shelf, Image Comics, Boom! Studios, Zenescope, and Dynamite Entertainment. Its technology is also used to power a handful of popular comic book “branded” apps, such as Scott Pilgrim, The Walking Dead, Bone, and the Green Hornet.

If you buy a comic through one of these specially branded app stores, or one of the Comixology-powered publisher apps, it’ll show up within the main Comixology app, and vice versa. But, not all publishers use Comixology to help sync up purchases. For instance, Dark Horse, publisher of Star Wars and Buffy the Vampire Slayer comics, makes many of its book available through Comixology, yet maintains its own independent application. If you make a purchase using Dark Horse’s digital store, you have to read it within the official Dark Horse apps. The same is true about syncing in other online third-party digital comic shops such as Panelfly and iVerse.

Apple’s iBooks
Previously, the selection of graphic fiction on Apple’s iBooks store (which works on all iOS devices but not Macs) was limited to a handful of titles that you couldn’t easily find due to the lack of a proper category. However, since Marvel’s introduction that seems to have changed. There is a now an official category featuring over 1,500 graphic novels that you can sort via a featured home screen or release date. Pricing is lower than traditional retail stores and comparable to discounted physical graphic novels on Amazon. To view the graphic novels you’ll need iBooks 1.2 and iOS 4.2 or later on your mobile device.

Amazon’s Kindle Store and Barnes & Noble’s Nook Store
Both Amazon’s Kindle store and Barnes & Noble’s Nook store have a wide variety of books from the major publishers. It’s also worth noting that you aren’t limited to reading your comics on either a Kindle Fire or Nook Tablet.  If you decided to buy an iPad, you can access both of these stores via their respective iOS apps to read whatever you’ve bought.

DUltimate Comics Spider-Maniamond Distributors, iVerse, and not giving up your physical comic books
The new player in the digital comics platform front is iVerse’s new digital comic app store, which is partnering with the industry’s biggest distributor of physical comic books, Diamond. The iVerse apps for iOS and Android will work in conjunction with Diamond’s initiative to empower retailers to sell digital comics both in-store and online. Customers will be able to shop through thousands of digital comics any time of day on retailer websites, or to purchase digital codes along with their print comics when they visit their local comic shop.

Marvel is ramping up a similar physical/digital offer. When you buy one of the printed comics, you’ll received a code you can enter at Marvel’s website to obtain the digital version for free. I tested this out with Brian Michael Bendis and Mark Bagley’s new Avengers Assemble series, and was able to view the digital version on Marvel’s official apps as well as Comixology.

Pricing and release schedule

Most publishers are finally coming around to the idea of releasing digital copies of comic books on the same day they hit retail shelves. However, if you’re looking for a deal, you may not necessarily find it. While Marvel is giving away free versions of its digital comics to those who buy the print version, it also offers those same digital copies for sale at the same exact price. DC’s digital/print combo usually costs about a dollar more, but the company does discount its digital copies a month after the book is released. Other smaller publishers vary in terms of price, but I’ve found that most offer the digital version for a bit less.

It’s also worth noting that most of the digital comic shops/apps offer generous one-day sales that slash prices to 99-cents on select books.

Converting your existing comic collection

Comic Zeal for iPad

If you’re considering converting your existing collection of printed comics into digital form, please note that this will require lots of time, effort, and energy with mixed results. For the sake of this article, I attempted to convert one of my own comics by carefully tearing out each page and then scanning them onto my computer. I found that sometimes the other side of the page would bleed through to show the other side, which was frustrating. Also, once I got the 22-page book uploaded, I had to convert it into a suitable size and format so that it could be used across all my devices.

If you’re reading on a desktop computer, you can leave the file as a PDF (I chose to use universal image app Xee for Mac OS X). If you plan to upload your comic to a tablet or smartphone, you’ll need to do a few things.

First, you’ll need to convert the digitally scanned version of the comic into a .CBR or .CBI file. Not only will this reduce the overall file size without sacrificing the image quality, but it’ll also make it compatible with most independent comic book viewer apps. And second, you’ll need a comic viewing app.

Depending on your device, there are a couple of different apps I would recommend. For iOS, I’d suggest using Comic Zeal ($4.99), which has a ton of customizable options and a companion app for your desktop that allows you to wirelessly upload files to your device. For devices running Android, I’d try Perfect Viewer (free) and anyone with a TouchPad should check out Comic Shelf HD ($1.99).

Final word

As print prices continue to rise, more and more publishers will start looking for refuge in digital publishing. The digital comic book industry is booming like never before, bringing in $25 million in sales for 2011, which is triple the amount from 2010. There are likely a few reasons for this upward trend, the biggest being the rise of the tablet computer, the desire by many long-time comic book fans to cure boredom, or the repulsiveness to enter into a modern brick-and-mortar comic shop after watching Kevin Smith’s Comic Book Men reality TV show on AMC.

Whatever the reason may be, more people are getting their comics digitally. It’s nice that the comic book industry is starting now rather than waiting until prices are so unbelievably high that people disregard their moral compass (a.k.a. pirating comics illegally). I think eventually, everyone who produces comic books via a cloud service (which is pretty much every notable publisher at this point) will need to settle on open standards that allows comic fans to take their collections with them regardless of service.

Since this has yet to happen, the best solution for now is to purchase comics through publishers’ Comixology-powered digital stores. A company like Marvel or DC isn’t going to allow the record of everything you’ve purchased to suddenly disappear, because such a move would most definitely justify acts of piracy and unadulterated rage from angry fanboys and fangirls.

The system isn’t perfect yet, but the outlook for digital comic books is bright and will only get better going forward.


Filed under: media, mobile, VentureBeat


Flurry releases new analytics features to improve monetization

venerdì, aprile 6th, 2012

Flurry launched new analytics features today that allows customers to take better control of how they measure and access the metrics for their apps. The features will help app developers make more money from their apps.

Customers can now create funnels that measure their most important conversions of free users to paid users. The analytics will now send out metrics trend notifications, and users will be able to create custom dashboards.

Flurry is providing pre-made templates for ad-supported apps, free-to-play apps, premium apps, engagement, and user acquisition and retention. Customers can always be clued in when metrics for an app change.

Since launching analytics in 2008, Flurry has more than 65,000 companies using its service across more than 170,000 apps. Flurry tracks app activity across more than 500 million Android and Apple iOS smartphones and tablets each month. It tracks more than 300 billion transactions per month and 1 billion user sessions per day. Flurry issues 25,000 session reports per second. Since December, Flurry has added 10,000 companies and 35,000 apps.

Sessions tracked per day rose from 760 million in December to 1.2 billion in March, up 50 percent in three months. Rivals include other analytics firms such as Kontagent, which released its own analytics tools update this week too.


Filed under: games, media, mobile